{"id":1,"date":"2016-05-10T03:48:21","date_gmt":"2016-05-10T03:48:21","guid":{"rendered":"http:\/\/argie.gr\/?p=1"},"modified":"2021-05-23T00:01:42","modified_gmt":"2021-05-23T00:01:42","slug":"hello-world","status":"publish","type":"post","link":"http:\/\/argie.gr\/?p=1","title":{"rendered":"Argyris Theos GSC"},"content":{"rendered":"\n

With a strong artistic eye and extensive field experience, Argyris Theos has not only developed the ability to create first class imagery but also the ability to efficiently work around the daily issues of cinematography, showing excellent managerial capabilities. Totaling 10 theatrical features, 19 prime time television series, commercials, shorts, live events, 67 stage plays and more, Argyris shows a personality that is both artistically oriented and versatile enough to accomplish any kind of work that involves visual storytelling.<\/h2>\n\n\n\n

A fluent English and French speaker, exhibits stereographic virtues, carved by years of study, the creation of a short film and a seminar in France (S3DCampus 2011)<\/h2>\n\n\n\n

Among current interests lays the research of the role of Visual & Media Literacy in Education.<\/h2>\n\n\n\n

He often teaches classes on Cinematography, Photography and Visual Literacy<\/h2>\n\n\n\n

Since February 2020 he is teaching Lighting Design at the Theatre Studies Department \/ Faculty of fine Arts \/ University of the Peloponnese<\/h2>\n\n\n\n

He is the President of Isocratis (a Royalties Collecting Society), the Secretary General of the Greek Society of Cinematographers and a member of the Board of the Varvakeio Alumni Association. From January 2018 till his resignation on February 2019 he was a member of the board of the Greek Film Center. <\/h2>\n\n\n\n

Analysis<\/em><\/strong><\/h2>\n\n\n\n

Born in Athens, 1963<\/h2>\n\n\n\n

Studies<\/u><\/em>:             2019                 University of Athens, Teaching Competence<\/p>\n\n\n\n

2018                 University of Athens, Economist,<\/p>\n\n\n\n

                        1983-86            Stavrakos Film School, field: Cinematography<\/p>\n\n\n\n

1985                 Seminar L\u2019una citta in cinema, L’Acquila Italy<\/p>\n\n\n\n

2011                 Stereographer,S3D Campus, Paris France (under scholarship from Media 2011)<\/p>\n\n\n\n

Languages:<\/u><\/em>         speaks and writes fluently in English (EU C2), French (EU C2) and Greek (native language).<\/p>\n\n\n\n

In the past he has been an affiliate of Eastman Kodak Co<\/em><\/strong>, commenting on stocks that were about to be released (aka beta tester)<\/p>\n\n\n\n

2011-now<\/u><\/em> Sony Independent Certified Expert<\/em><\/strong> (ICE) specializing on camcorders.<\/p>\n\n\n\n

Below follows a list of his body of work<\/p>\n\n\n\n

Director:<\/u><\/em><\/strong>          <\/p>\n\n\n\n

2017 <\/u><\/em>\u201cthe artist\u2019s atelier\u201d<\/strong>, documentary on the most acknowledged among the  modern Greek painters<\/p>\n\n\n\n

\u201c2016-7\u201d<\/u><\/em> \u201cKarla\u201d <\/strong>set of 10 short films to be permanently exhibited at the \u201cKarla Museum\u201d, Thessalia, Greece, opening on Summer 2017<\/p>\n\n\n\n

2015 <\/u><\/em>\u201cJacques ou la Soumission\u201d<\/strong>, 35\u2019 stereoscopic film \u2013 both as director and stereographer .<\/p>\n\n\n\n

2013-5 <\/u><\/em>\u201ca scent  for excellence\u201d<\/strong>, a work in progress documentary, scheduled to follow and document the reinstitution of model schools in Greece<\/p>\n\n\n\n

2010 <\/u><\/em>\u201ccitrulus lanatus\u201d<\/strong>, short stereoscopic film \u2013 both as director and stereographer   3Dhttps:\/\/goo.gl\/8gcj4i<\/a><\/p>\n\n\n\n

2010-7<\/u><\/em>  <\/em>various corporate projects<\/u><\/em><\/strong><\/p>\n\n\n\n

 <\/u><\/em><\/h3>\n\n\n\n

Director of Photography<\/u><\/em><\/h3>\n\n\n\n
\"\"\/<\/figure>\n\n\n\n
\"\"\/<\/figure>\n\n\n\n
\"\"\/<\/figure>\n\n\n\n

     <\/em><\/strong><\/a><\/em><\/strong>                              <\/a>                      <\/em><\/strong><\/a><\/em><\/strong>  <\/em><\/strong><\/p>\n\n\n\n

https:\/\/goo.gl\/qXUmbd<\/a>                       https:\/\/goo.gl\/pytEoB<\/a>            https:\/\/goo.gl\/sEj5jn<\/a>        <\/em><\/strong><\/p>\n\n\n\n

Award:               <\/em><\/strong>2005 cinematography <\/strong>for \u201cChildren of Niovi\u201d<\/em><\/strong> (Greek TV awards \u201cFaces 2005\u201d)<\/p>\n\n\n\n

Theatrical features:<\/em><\/strong><\/p>\n\n\n\n

2018<\/u><\/em> \u201ciki iyi cocuk (two good boys)\u201d, <\/strong>dir. Mehmet Demir Yilmaz http:\/\/m.milliyet.com.tr\/hatay-da-film-seti-kurulacak-hatay-yerelhaber-2030190\/<\/a> <\/u><\/em><\/p>\n\n\n\n

2010 <\/u><\/em>\u201cthe traveler\u201d<\/strong>, dir. Y. Kalogeropoulos<\/p>\n\n\n\n

2004<\/u><\/em> \u201cbreakfast in New York\u201d<\/strong>, shot the opening scene in Athens dir. Louise Lamarre<\/p>\n\n\n\n

2003-4<\/u><\/em> <\/em><\/strong>\u201cunforgettable homeland\u201d\u00bb<\/strong>, dir. K. Koutsomytis<\/p>\n\n\n\n

2003 <\/u><\/em>\u201cwhen we will dance together\u201d<\/strong> dir. Adrianos Georgantas<\/p>\n\n\n\n

                        2001<\/u><\/em> \u201cefapax\u201c<\/strong> dir. Nikos Zapatinas<\/p>\n\n\n\n

1998<\/u><\/em> \u201cfalcified exectations\u201c<\/strong> (documentary), dir Loukia Rikaki<\/p>\n\n\n\n

1998<\/u><\/em> \u201cdancing soul\u201c<\/strong> dir Loukia Rikaki<\/p>\n\n\n\n

1997<\/u><\/em> \u201crusty pictures\u201d<\/strong> dir. Yannis Katsamboulas, best documentary award, Thessaloniki film festival, 1997<\/p>\n\n\n\n

1997<\/u><\/em> \u201cthe boys – <\/strong>\u03c4<\/strong>‘<\/strong>\u03b1\u03b3\u03cc\u03c1\u03b9\u03b1<\/strong>\u201d<\/strong> dir. Katerina Philippou (addl. Photography)<\/p>\n\n\n\n

1995<\/u><\/em> \u00ablike a prairie cock in Wyoming\u00bb <\/strong>dir. Dimitri Indares, best film award plus another three awards, Thessaloniki film festival 1995<\/p>\n\n\n\n

Television Primetime Series and other tv work:<\/em><\/strong><\/p>\n\n\n\n

2019 <\/u><\/em> \u00abthe Essence\u00bb <\/strong>(ERT) documentary, dir. Ch. Gioulatos<\/p>\n\n\n\n

2019 <\/u><\/em> \u00abMi Psaronis\u00bb <\/strong>(Ant1) TV Series, under production, B unit DP, dir. P. Andrakakos, B Unit director V. Kalatzis<\/p>\n\n\n\n

2018-9 <\/u><\/em> \u00abopen relationtship\u00bb <\/strong>(OpenTV) TV Series, 33 episodes, A unit DP, dir. V. Thomopoulos<\/p>\n\n\n\n

2018 <\/u><\/em> \u00abpassion crimes\u00bb <\/strong>(Ant1) TV Series, 4 episodesdir. D. Arvanitis<\/p>\n\n\n\n

2018 <\/u><\/em> \u00abAegean Rebreath\u00bb <\/strong>(ERT) documentary, dir. D. Tzetzas<\/p>\n\n\n\n

2018 <\/u><\/em> \u00abalgae like silk ribbons\u00bb <\/strong>(ERT) documentary, dir. K. Bakouris<\/p>\n\n\n\n

2018 <\/u><\/em> \u00abYusurum\u00bb <\/strong>(ERT) documentary, dir. A. Marianos<\/p>\n\n\n\n

2017 <\/u><\/em> \u00abPolyphony\u2019s Tomorrow\u00bb <\/strong>(ERT) documenetary, dir. A. Lamprides<\/p>\n\n\n\n

2016-7<\/u><\/em> \u00ab9 mines\u00bb <\/strong>(MegaOne, Cyprus & Star TV Greece) 50 episodes daily series, dir. Linos Christodoulou, co-authoring with 6 cinematographers<\/p>\n\n\n\n

2016 <\/u><\/em> \u00abMIET\u00bb <\/strong>125 documentary, dir. Kleoni Flessa<\/p>\n\n\n\n

 2014-5<\/u><\/em> \u00abDikaiosi\u00bb <\/strong>(MegaChannel) 125 episodes daily series, dir. D. Arvanites, co-authoring with G. Apostolides<\/p>\n\n\n\n

2012<\/u><\/em> \u00abDimitri Karatzas \/ let the good news come tomorrow\u00bb <\/strong>(ERT) 1 episode documentary, dir. Kl. Flessa<\/p>\n\n\n\n

2012<\/u><\/em> \u00abGeorge Xenoudakis\u00bb <\/strong>1 episode documentary, dir. F. Konstantinides<\/p>\n\n\n\n

2012<\/u><\/em> \u00abDimitri Sgouros\u00bb <\/strong>(ERT) 1 episode documentary, dir. Alex. Papaeliou<\/p>\n\n\n\n

2009-10<\/u><\/em> \u00abstar war\u00bb <\/strong>(\u0391\u039d\u03a41) 10 episodes, dir. Sp. Rassidakis<\/p>\n\n\n\n

2008-9 <\/u><\/em>\u00abKiss your Frog\u00bb season 2<\/strong> <\/strong>(\u0391\u039d\u03a41) 28 episodes, dir. P. Koutras<\/p>\n\n\n\n

2007     <\/u><\/em>\u00abMacedonia<\/strong>\u00bb  <\/strong>documentary, dir. F. Konstantinides<\/p>\n\n\n\n

2007-8 <\/u><\/em>\u00abKiss your Frog<\/strong>\u00bb <\/strong>(\u0391\u039d\u03a41) 30 episodes, dir. P. Koutras<\/p>\n\n\n\n

2006-7 <\/u><\/em>\u00abonly you\u00bb<\/strong>, (\u039d\u0395\u03a4) 20 episodes, dir. P. Koutras<\/p>\n\n\n\n

2005-<\/u><\/em>6 \u00abearth and sky\u00bb<\/strong>, (MEGA) 30 episodes, dir. G. Karantinakis<\/p>\n\n\n\n

2005<\/u><\/em> \u00abhiding\u00bb<\/strong> tv feature (ANT1), dir. M. Manousakis<\/p>\n\n\n\n

2004-5 <\/u><\/em>\u00absan glyko tou koutaliou\u00bb<\/strong>, (ANT1) 17 episodes, dir. R. Eskenazie<\/p>\n\n\n\n

2003-4 <\/u><\/em>\u00abchildren of Niovi\u00bb<\/strong>, (\u0395\u03a41) dir. K. Koutsomytis,12 of 16 episodes, prized for cinematography and 6 other prizes,<\/p>\n\n\n\n

2002<\/u><\/em> \u00abLate\u00bb<\/strong> (Alter) 10 episodes, dir. N. Mastorakis<\/p>\n\n\n\n

2000-01<\/u><\/em> \u00abOut of Course\u00bb<\/strong> (\u0395\u03a41) 21 episodes, A. Georgantas<\/p>\n\n\n\n

2000<\/u><\/em> \u00abguilty or not\u00bb<\/strong> (\u0391\u039d\u03a41) 22 episodes, dir. G. Karantinakis<\/p>\n\n\n\n

1999<\/u><\/em> \u00abJudas\u2019s kiss\u00bb<\/strong> (ALPHA) 15 episodes, dir. Th. Antoniou<\/p>\n\n\n\n

1998-99<\/u><\/em> \u00abtouch of soul\u00bb<\/strong> (ANT1) 31 episodes, dir. M. Manousakis<\/p>\n\n\n\n

1997-98<\/u><\/em> \u00abHeart whispers\u00bb<\/strong> (MEGA) 33 episodes, dir. M. Manousakis<\/p>\n\n\n\n

1996-97<\/u><\/em> \u00abTide\u00bb<\/strong> (MEGA) 19 episodes, dir. M. Manousakis<\/p>\n\n\n\n

1995-96<\/u><\/em> \u00abTown Streets\u00bb<\/strong> (ANT1) 3 episodes, dir. G. Karantinakis<\/p>\n\n\n\n

1994-95<\/u><\/em> \u00abScorpion\u00bb<\/strong> (MEGA) 8 episodes, dir. A. Kafetzopoulos<\/p>\n\n\n\n

1994<\/u><\/em> \u00abAnatomy of a crime\u00bb<\/strong> (ANT1) 2 episodes, dir. P. Kokkinopoulos & B. Spanos<\/p>\n\n\n\n

1993<\/u><\/em> \u00abComics\u00bb<\/strong> (SKAI) 30 episodes, dir. Y. Kakleas<\/p>\n\n\n\n

1992<\/u><\/em> \u00abPythagoras\u2019 Way\u00bb<\/strong>, tv feature, dir. F. Konstantinides<\/p>\n\n\n\n

1990<\/u><\/em> \u00abObsessions\u00bb<\/strong> (ET1) (additional Photography, dir. Th. Marangos<\/p>\n\n\n\n

1989<\/u><\/em> \u00abinto the sound\u00bb<\/strong> (ET2) documentary, dir. K. Stratoudakis<\/p>\n\n\n\n

1988<\/u><\/em> \u00abEaster in Kalymnos\u00bb<\/strong> (ET2) documentary, dir. A. Intas<\/p>\n\n\n\n

light shows:<\/em><\/strong><\/p>\n\n\n\n

\nhttps:\/\/goo.gl\/mCBbeA\n<\/div><\/figure>\n\n\n\n

2009<\/u><\/em> \u00abOlympic Air\u00bb<\/strong>  DoP  and Lighting Design for the opening cerermony of the new Olympic Air  S.A. One of the biggest events ever organized in Greece, dir. Y. Marakis<\/p>\n\n\n\n

2002 <\/u><\/em>\u00abCinema Awards\u00bb, <\/strong>DoP and LD, a co-authored with A. Bellis and G. Tellos<\/p>\n\n\n\n

2001 <\/u><\/em>\u00abNeapolis\u00bb, <\/strong>DoP and LD, for a very special performance by Antypas, Spathas and Nikolakopoulou, dir. Y. Vamvouras<\/p>\n\n\n\n

2000 <\/u><\/em>\u00abFaces 2000\u00bb, <\/strong>DoP and LD, for the tv awards ceremony, dir. Y. Marakis<\/p>\n\n\n\n

2000 <\/u><\/em>\u00ab10th<\/sup> Creative Publicity Festival\u00bb, <\/strong>DoP and LD, the award ceremony, dir. Y. Vamvouras<\/p>\n\n\n\n

1999 <\/u><\/em>\u00ab9th<\/sup> Creative Publicity Festival\u00bb, <\/strong>DoP and LD, the award ceremony, dir. Y. Vamvouras<\/p>\n\n\n\n

1997 <\/u><\/em>\u00ab7th<\/sup> Creative Publicity Festival\u00bb, <\/strong>DoP and LD, the award ceremony, dir. Y. Vamvouras<\/p>\n\n\n\n

1996 <\/u><\/em>\u00ab6th<\/sup> Creative Publicity Festival\u00bb, <\/strong>DoP and LD, the award ceremony, dir. Y. Marakis<\/p>\n\n\n\n

Commercials and corporate:<\/em><\/strong><\/p>\n\n\n\n

\nhttps:\/\/goo.gl\/qsUCft\n<\/div><\/figure>\n\n\n\n

2016<\/u><\/em>  \u00abMIET 50 Years\u00bb<\/strong>, prod. National Bank of Greece Cultural Foundation, dir. Kl. Flessa<\/p>\n\n\n\n

2016 <\/u><\/em>\u00abVianaDecoN\u00bb,<\/strong> <\/strong>DoP on a set of corporate films on VDN Marine Outfitting company Produced Thaleia Kalafata, dir. Andonis Kioukas<\/p>\n\n\n\n

2013 <\/u><\/em>\u00abHatay\u00bb,<\/strong> <\/strong>DoP and stereo supervisor on a 3D documentary about the Turkish province of Hatay. Produced by KozYapim, Isranbul, dir. Mehmet Demir Yilmaz<\/p>\n\n\n\n

2013<\/u><\/em>  \u00abH.E.L.P.\u00bb<\/strong>, dir. A. Kioukas<\/p>\n\n\n\n

2013<\/u><\/em>  \u00abLearning from our Patiens\u00bb<\/strong>, dir. A. Liolios<\/p>\n\n\n\n

2005<\/u><\/em>  <\/u><\/em>\u00abRenault offer\u00bb<\/strong>, dir. N. Mastorakis<\/p>\n\n\n\n

2004 <\/u><\/em> <\/em>\u00ab<\/strong>Renault<\/strong> <\/strong>offer<\/strong>\u00bb<\/strong>, \u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae \u039a. \u03a4\u03c3\u03b1\u03bd\u03ac\u03ba\u03b1\u03bb\u03b7 \u0395\u0395, \u03c3\u03ba\u03b7\u03bd. \u039d. \u039c\u03b1\u03c3\u03c4\u03bf\u03c1\u03ac\u03ba\u03b7\u03c2<\/p>\n\n\n\n

2004 <\/u><\/em> <\/em>\u00ab<\/strong>Ouzo<\/strong> 12\u00bb,<\/strong> dir. P. Adrianopoulos<\/p>\n\n\n\n

2004 <\/u><\/em>\u00ab\u03b1\u03bb\u03bb\u03b1\u03bd\u03c4\u03b9\u03ba\u03ac \u03a0\u03b1\u03c3\u03b9\u03ac\u03c2\u00bb<\/em><\/strong>, dir. N. Yannopoulos<\/p>\n\n\n\n

2003 <\/u><\/em>\u00ab<\/strong>BSB<\/strong>\u00bb<\/strong>, dir. G. Varagkoulis<\/p>\n\n\n\n

2003 <\/u><\/em> \u00abBar\u00bb<\/strong>, dir. G. Siougas<\/p>\n\n\n\n

 2003 <\/u><\/em>\u00abstars\u2019 squares\u00bb<\/strong>, dir. G. Siougas<\/p>\n\n\n\n

2003 <\/u><\/em> \u00abPizza Hut\u00bb<\/strong>, dir. M. Marketos<\/p>\n\n\n\n

2002<\/u><\/em>  \u00aba child\u2019s smile\u00bb<\/strong>, dir. G. Siougas<\/p>\n\n\n\n

2002<\/u><\/em>  \u00abComix\u00bb<\/strong>, dir. Y. Kakleas<\/p>\n\n\n\n

2002 <\/u><\/em>\u00abCosmocard\u00bb<\/strong>, dir. G. Siougas<\/p>\n\n\n\n

2002<\/u><\/em> \u00abYPEHODE\u00bb<\/strong>, dir. Y. Katsamboulas<\/p>\n\n\n\n

2002<\/u><\/em> \u00ab<\/strong>\u039c\u03b1\u03c3\u03bf\u03cd\u03c4\u03b7\u03c2<\/strong>\u00bb<\/strong>, dir. N. Yannopoulos<\/p>\n\n\n\n

2001<\/u><\/em> \u00abDiffers\u00bb<\/strong>, dir. Y. Katsamboulas<\/p>\n\n\n\n

2001<\/u><\/em> \u00abMonopoly <\/strong>\u03a7\u03c1\u03b7\u03bc\u03b1\u03c4\u03b9\u03c3\u03c4\u03ae\u03c1\u03b9\u03bf<\/strong>\u00bb<\/strong>, dir. Y. Katsamboulas<\/p>\n\n\n\n

2001<\/u><\/em>\u00abOLP\u00bb<\/strong>, \u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae Kino, dir. Y. Katsamboulas<\/p>\n\n\n\n

2001<\/u><\/em>\u00abOLTH\u00bb<\/strong>, \u03c0\u03b1\u03c1\u03b1\u03b3\u03c9\u03b3\u03ae Kino, dir. Y. Katsamboulas<\/p>\n\n\n\n

short films:<\/em><\/strong><\/p>\n\n\n\n

2016<\/u><\/em> <\/em> \u00abthe house\u00bb<\/strong>, dir. V. Dimou<\/p>\n\n\n\n

2014<\/u><\/em> <\/em> \u00abdead men\u2019s street\u00bb<\/strong>, dir. St. Artavanis<\/p>\n\n\n\n

2013<\/u><\/em> <\/em> \u00abthe painter Christos Bokoros\u00bb<\/strong>, dir. A. Kioukas https:\/\/youtu.be\/4LpF-Xq-aGw<\/a><\/p>\n\n\n\n

2012<\/u><\/em>  <\/em>\u00abBeehive\u00bb<\/strong>, dir. Y. Katsamboulas<\/p>\n\n\n\n

2005 <\/u><\/em> <\/em>\u00abthe girl\u00bb<\/strong>, dir. M. Arvanitakis<\/p>\n\n\n\n

2002 <\/u><\/em>\u00abMegalosa\u00bb<\/strong>, dir. S. Chrisimou                   <\/em><\/strong><\/p>\n\n\n\n

2002 <\/u><\/em>\u00abMissing\u00bb<\/strong>, dir. M. Yamalakis<\/p>\n\n\n\n

                        <\/em><\/strong>2002  <\/u><\/em>\u00abFridge\u00bb<\/strong>, dir. G. Siougas<\/p>\n\n\n\n

2000  <\/u><\/em>\u00abFalcified Expectations\u00bb <\/strong>documentary \u2013 dir. L. Rikaki<\/p>\n\n\n\n

1997  <\/u><\/em>\u00abFree Grazing\u00bb<\/strong>,dir. Y. Karkanevatos<\/p>\n\n\n\n

                        1996<\/u><\/em> \u00abNew Order\u00bb<\/strong>, dir. K. Megapanos<\/p>\n\n\n\n

1991 <\/u><\/em> \u00abthe Duck Hunt\u00bb<\/strong>, dir. D. Indares, best short film award, Thessaloniki Film Festival 1991<\/p>\n\n\n\n

                        1990 <\/u><\/em> \u00ab<\/strong>entrance<\/strong>\u00bb<\/strong>, dir. Ch. Poulos<\/p>\n\n\n\n

1987 <\/u><\/em> \u00abthe car in the alley\u2019s entrance\u00bb<\/strong>, dir. M. Sfakianakis<\/p>\n\n\n\n

1987 <\/u><\/em>\u00abMrs Ersi\u00bb<\/strong>, dir. D. Indares<\/p>\n\n\n\n

1985 <\/u><\/em> \u00abInfinite Eyes\u00bb<\/strong>, dir. Y. Kalogeropoulos<\/p>\n\n\n\n

1984 <\/u><\/em> \u00abTwilight \u2013 out of an ELO song\u00bb<\/strong>, dir. M. Plantzos and Ch. Gartaganis, awarded first prize on the very first Video clip competition in Greece<\/p>\n\n\n\n

1983<\/u><\/em> \u00ab600 Volt track\u00bb<\/strong>, dir. M. Plantzos<\/p>\n\n\n\n

other:<\/em><\/strong>               2008-2009<\/u><\/em> Lighting Design for a \u201ctheatrical\u201d form of lighting on the window displays of the VST store, Athens<\/p>\n\n\n\n

various corporate videos and video clips.<\/p>\n\n\n\n

2002 \u2013 2004 author for the \u201cprofessional camera & microphone\u201d magazine<\/p>\n\n\n\n

1998-2002 <\/u><\/em> Lighting Design and project management for the \u201cKanava\u201d wine museum in Santorini Greece<\/em><\/h3>\n\n\n\n

stage Lighting:<\/u><\/em><\/h3>\n\n\n\n

2019<\/u><\/em> <\/em> \u00abfrom Smyrna to Salonika\u00bb<\/strong>, dir. Mimi Denisi<\/p>\n\n\n\n

2019<\/u><\/em> <\/em> \u00abOliver Twist\u00bb<\/strong>, dir. M. Passari<\/p>\n\n\n\n

2019<\/u><\/em> <\/em> \u00ab<\/strong>\u03b1<\/strong> cherry orchard follow up\u00bb<\/strong>, dir. V. Myrianthopoulos<\/p>\n\n\n\n

2019<\/u><\/em> <\/em> \u00abtwo hairdressers and a daydreaming girl\u00bb<\/strong>, dir. M. Passari<\/p>\n\n\n\n

2018<\/u><\/em> <\/em> \u00abRed Speedo\u00bb<\/strong>, dir. V. Myrianthopoulos<\/p>\n\n\n\n

2018<\/u><\/em> <\/em> \u00abCanada, a feeling not related to a Greek island\u2019s Summer\u00bb<\/strong>, dir. M. Passari<\/p>\n\n\n\n

2017<\/u><\/em> <\/em> \u00abSleeping Beauty\u00bb<\/strong>, dir. G. Yannarakos<\/p>\n\n\n\n

2017<\/u><\/em> <\/em> \u00abFrames of Dorian Grey\u00bb<\/strong>, dir. Mariah Tsarouchas<\/p>\n\n\n\n

2016<\/u><\/em> <\/em> \u00ab<\/strong>\u03a3\u03b9\u03bb\u03c9\u03ac\u03bc<\/strong>\u00bb<\/strong>, dir. G. Yannarakos<\/p>\n\n\n\n

2016<\/u><\/em>\u00abFractals & Dance\u00bb<\/strong>, dir. & chor. By I. Tsantili<\/p>\n\n\n\n

2016<\/u><\/em>\u00abMother\u00bb<\/strong>, dir. & choreographed by S. Karagiannni<\/p>\n\n\n\n

2016<\/u><\/em>\u00abhe and his trousers\u00bb<\/strong>, dir. V. Pefani<\/p>\n\n\n\n

2016<\/u><\/em>\u00abthe Portrait of Dorian Grey\u00bb<\/strong>, dir. Y. Voliotis<\/p>\n\n\n\n

2015<\/u><\/em>\u00abdo not distutb\u00bb<\/strong>, dir. V. Myrianthopoulos<\/p>\n\n\n\n

2015<\/u><\/em>\u00abone\u00bb<\/strong>, dir. & choreographed by S. Karagiannni<\/p>\n\n\n\n

2014<\/u><\/em>\u00ab18, Bouboulinas st.\u00bb<\/strong>, dir. by G. Yannarakos<\/p>\n\n\n\n

2014<\/u><\/em>\u00abAmour et Piano\u00bb<\/strong>, dir. by G. Yannarakos<\/p>\n\n\n\n

2014<\/u><\/em>\u00abshe killer: a dolce vita\u00bb<\/strong>, dir. & choreographed by S. Karagiannni<\/p>\n\n\n\n

2014 <\/u><\/em> \u00abSunday morning\u00bb<\/strong>, (co-authoring with A. Bellis), dir. M. Petousis<\/p>\n\n\n\n

2014 <\/u><\/em> \u00abthe truth\u00bb<\/strong>, (co-authoring with A. Bellis), dir. Sp. Papadopoulos<\/p>\n\n\n\n

2013 <\/u><\/em> \u00ab—\u00bb<\/strong>, dir. & choreographed by M. Aggelou<\/p>\n\n\n\n

2013 <\/u><\/em>\u00abDolce Vita \u2026 the Wedding\u00bb<\/strong>, dir. & choreographed by S. Karagiannni<\/p>\n\n\n\n

2013 <\/u><\/em> \u00ab@ labyrinth\u00bb<\/strong>, dir. G. Giannarakos<\/p>\n\n\n\n

2013 <\/u><\/em> \u00abmeasure for measure\u00bb<\/strong>, dir. Araceli Lemos<\/p>\n\n\n\n

2012 <\/u><\/em> \u00ablight was on\u00bb<\/strong>,dir. St. Stangos<\/p>\n\n\n\n

2012 <\/u><\/em>\u00abthe Master and Margarita\u00bb<\/strong>, dir. T. Dardaganis<\/p>\n\n\n\n

2011 <\/u><\/em>\u00abthe lunch\u00bb<\/strong>, dir. A. Makrakis, D. Vergados,<\/p>\n\n\n\n

2011 <\/u><\/em>\u00able misanthrope \u2013 a work in progress\u00bb<\/strong> dir. G. Giannarakos<\/p>\n\n\n\n

                        2011 <\/u><\/em> \u00ablove tiumphs\u00bb<\/strong>, dir. M. Hadjinikolidakis<\/p>\n\n\n\n

2010 <\/u><\/em>\u00abthe tree was in a hurry to grow\u00bb<\/strong>, chor. N. Mouratoglou, the first in Greece and only second in the world attempt to have primary school children perform together with a live orchestra.<\/p>\n\n\n\n

2009<\/u><\/em> \u00abBalkan Voice\u00bb<\/strong>, dir. Sp. Sakkas<\/p>\n\n\n\n

2009<\/u><\/em>  \u00abthe Emperor\u2019s nightingale\u00bb<\/strong>, chor. N. Mouratoglou<\/p>\n\n\n\n

2008<\/u><\/em> \u00abMater\u00bb<\/strong>, dir. & choreographed by S. Karagiannni<\/p>\n\n\n\n

2007 <\/u><\/em> \u00abTango\u00bb<\/strong>, dir. & choreographed by Ch. Beskou<\/p>\n\n\n\n

2005<\/u><\/em>  \u00abmr Thomas is having hard nights\u00bb<\/strong>, dir. T. Vouteris<\/p>\n\n\n\n

2005<\/u><\/em> \u00absongs\u00bb<\/strong>, dir. N. Zoukas<\/p>\n\n\n\n

2005 \u00abtale\u00bb, chor. N. Mouratoglou<\/strong><\/p>\n\n\n\n

2004<\/u><\/em>  \u00abKopenhagen\u00bb<\/strong>, dir. T. Vouteris<\/p>\n\n\n\n

2004<\/u><\/em> \u00abSongs of the Earth\u00bb<\/strong>, dir. N. Zoukas<\/p>\n\n\n\n

2003<\/u><\/em>  <\/u><\/em>\u00abNowhere Nowhere Nowhere\u00bb<\/strong>, dir. V. Nahmias<\/p>\n\n\n\n

2003<\/u><\/em>  <\/em>\u00abVurt<\/em>\u00bb<\/strong>, dir. N. Biniadaki<\/p>\n\n\n\n

2003<\/u><\/em>  \u00abOphelia\u2019s secret erotic life\u00bb<\/strong>, dir. P. Michailidis<\/u><\/em><\/p>\n\n\n\n

2002<\/u><\/em>  \u00abI love you too\u00bb<\/strong>, dir. P. Michailidis<\/p>\n\n\n\n

2002<\/u><\/em>  \u00abKopenhagen\u00bb<\/strong>, dir. T. Vouteris<\/p>\n\n\n\n

2002 <\/u><\/em> \u00abPet Shop: the Jungle\u00bb<\/strong>, dir. P. Michailidis<\/p>\n\n\n\n

2002<\/u><\/em>  \u00abMaroulas\u2019 luck\u00bb<\/strong>, dir. P. Michailidis<\/p>\n\n\n\n

2002<\/u><\/em> a presentation of the work of students by the Greek National  School of Dance <\/strong>(co-authoring with A. Bellis)<\/p>\n\n\n\n

1999<\/u><\/em>  \u00abBlue\u00bb<\/strong> dir. & chor. V. Myrianthopoulos<\/p>\n\n\n\n

1998<\/u><\/em>  \u00abUlisses\u2019 dialogues\u00bb<\/strong>,dir. L. Rikaki<\/p>\n\n\n\n

1998<\/u><\/em>  \u00abAdam and Eve forever\u00bb<\/strong>, dir. V. Myrianthopoulos<\/p>\n\n\n\n

1998<\/u><\/em>  \u00abFlowering Sea\u00bb<\/strong>,  dir. L. Rikaki<\/p>\n\n\n\n

1998<\/u><\/em> \u00abM. Duras Music\u00bb<\/strong>, dir. L. Rikaki<\/p>\n\n\n\n

1997<\/u><\/em> \u00abAutumn resorts\u00bb<\/strong>, dir. & chor. N. Zoukas<\/p>\n\n\n\n

1996<\/u><\/em>  \u00abSurrealove\u00bb<\/strong>, dir. L. Rikaki<\/p>\n\n\n\n

1996<\/u><\/em>  \u00ab<\/strong>\u039b\u03af\u03bb\u03b9\u03bf\u03bc<\/strong>\u00bb<\/strong>, dir. M. Andrikakis<\/p>\n\n\n\n

1995<\/u><\/em> <\/em> \u00abtales of the world\u00bb<\/strong>, dir. & chor. N. Zoukas<\/p>\n\n\n\n

1994<\/u><\/em>  \u00abCamera degli sposi\u00bb<\/strong> , dir. M. Marmarinos<\/p>\n\n\n\n

1991  J.Genet \u00abthe maids\u00bb<\/strong>, dir. G. Konstas<\/p>\n\n\n\n

1991  Moliere \u00abGeorges Dindin\u00bb<\/strong>, dir. T. Vouteris<\/p>\n\n\n\n

1991  A. Strindberg \u00abStrindberg, Strindberg\u00bb<\/strong>, dir. M. Marmarinos <\/u><\/em><\/u><\/em><\/p>\n\n\n\n

1991<\/u><\/em>  \u00abMusic for a while\u00bb<\/strong>, Savvina Yannatou & Natasha Zoukas<\/p>\n\n\n\n

1991<\/u><\/em>  \u00abEurippides, Medea\u00bb<\/strong>, dir. M. Marmarinos<\/p>\n\n\n\n

1991<\/u><\/em>  \u00aba mind\u2019s move, a body\u2019s thought\u00bb<\/strong>, Apples dance co.<\/p>\n\n\n\n

1991<\/u><\/em>  \u00ab14th<\/sup> day\u00bb, <\/strong>dir. & chor. M. Aggelou<\/p>\n\n\n\n

1991<\/u><\/em>  \u00abwindow light\u00bb<\/strong>, dir. & chor. N. Zoukas<\/p>\n\n\n\n

1990<\/u><\/em> \u00ab<\/strong>Holly Tripllet<\/strong>\u00bb <\/strong>dir. T. Vouteris <\/u><\/em><\/u><\/em><\/p>\n\n\n\n

1990<\/u><\/em>  E.de Filippo \u00abSaturday, Sunday and Monday\u00bb<\/strong>, dir. Y. Diamantopoulos<\/p>\n\n\n\n

1990<\/u><\/em>  G. Dialegmenos \u00abdon\u2019t listen to the rain\u00bb<\/strong>, dir. T. Vouteris<\/p>\n\n\n\n

1989 J.P.Hamette \u00abfarewell meeting\u00bb<\/strong>, Dir. D.Kotsis<\/p>\n\n\n\n

1989<\/u><\/em> B. Brecht \u00abBrecht machine\u00bb<\/strong>, dir. M. Marmarinos<\/p>\n\n\n\n

1989<\/u><\/em> J.Genet \u00abthe maids\u00bb<\/strong>, dir. M. Botonaki<\/p>\n\n\n\n

1988<\/u><\/em>  D. Tomazanis \u00aba Chios\u2019 tale\u00bb<\/strong>, dir. D. Tomazanis<\/p>\n\n\n\n

1985<\/u><\/em> Rouzzante \u00abla Mosqueta\u00bb<\/strong>, dir. T. Kozakos<\/p>\n\n\n\n

1984<\/u><\/em> <\/em>F.G.Lorca \u00ablos titeres de Catsipora\u00bb<\/strong>, dir. T. Kozakos<\/p>\n\n\n\n

Conference Speaker:<\/u><\/em><\/strong><\/p>\n\n\n\n

                        <\/em><\/strong>2019 November \u201cthe smiling sketch\u201d, <\/strong> <\/em> Chania Film festival, AV literacy Conference, 2019 June \u201claughing sketches, an empathic approach to audiovisual literacy, <\/strong> <\/em> Fest of Fests AV education Conference, Michael Cacoyannis Foundation<\/p>\n\n\n\n

                        2019 April \u201ctowards teaching the language maned image\u201d, <\/strong><\/em> \u201cModern Teaching Methods and Curricula\u201d Conference, Institute of Educatinal Policy<\/p>\n\n\n\n

                        2018 October \u201ca laughing sketch\u201d <\/strong><\/em> Conference of Educational Innovations, EEPEK<\/p>\n\n\n\n

                        2011 May Visual Storytelling in Stereoscopic Film <\/strong><\/em>Hellenic Film Academy<\/p>\n\n\n\n

Trainer:<\/u><\/em><\/strong>           <\/strong><\/p>\n\n\n\n

2017-9<\/u><\/em> \u201ccamera & lighting\u201d <\/strong><\/em>AKMI adult education<\/p>\n\n\n\n

2017-9<\/u><\/em> \u201cLaughing sketches\u201d <\/strong><\/em>Visual Literacy Training addressing Hi School Techers<\/p>\n\n\n\n

2018<\/u><\/em> \u201celements of cinematic lighting\u201d<\/strong><\/em>. Seminar being repeated since 2012. Organized by HDSeminars.<\/p>\n\n\n\n

2017 <\/u><\/em>\u201ccinematic lighting\u201d<\/em><\/strong>. Masterclass within Olympia\u2019s Festival.<\/p>\n\n\n\n

2017 <\/u>\u201c2.39:1 Greek Cinema Goes Cinemascope Again!\u201d<\/strong><\/em>. Masterclass on Thessaloniki Film Festival (speakers: Christos Karamanis, Argyris Theos)<\/h3>\n\n\n\n

2016 \u201c<\/strong><\/u><\/em>visual literacy\u201d<\/em><\/strong>. Daily seminar to acquaint 2nd<\/sup> grade teacher with the concept of being visually literate<\/p>\n\n\n\n

2016 \u201c<\/strong><\/u><\/em>visual literacy\u201d<\/em><\/strong>. A weekly seminar offered to school pupils within Olympia\u2019s Festival<\/p>\n\n\n\n

2016-2013 \u201c<\/strong><\/u><\/em>Advanced lighting techniques\u201d<\/em><\/strong>. Organised by HD Seminars, offered 6 times till now<\/u><\/em><\/p>\n\n\n\n

2015 <\/u><\/em>\u201cVisual Literacy Experiencial Lab\u201d<\/em><\/strong>. One week long seminar within Olympia\u2019s Festival.<\/p>\n\n\n\n

2015 \u201c<\/strong><\/u><\/em>10  lessons on photography and visual thinking\u201d<\/em><\/strong>. Series of lessons offered twice<\/p>\n\n\n\n

2014-3 \u201c<\/strong><\/u><\/em>elements of filmaking\u201d<\/em><\/strong> teaching at Velios School of Art<\/p>\n\n\n\n

2014 \u201c<\/strong><\/u><\/em>the DoP\u201d<\/em><\/strong>. Mastercalss within Olympia\u2019s Festival.<\/p>\n\n\n\n

2013January <\/u><\/em>\u201cscreen to window\u201d,<\/em><\/strong> master class addressing the modern aesthetics of 3Dimensional storytelling. Organised by: Athens Open Air Festival.<\/strong><\/p>\n\n\n\n

                        <\/strong>2013 Spring<\/u><\/em> \u201cColor Grading with Edius\u201d<\/em><\/strong>. Organised by HD Seminars.<\/p>\n\n\n\n

Expositions<\/u><\/em><\/strong>     <\/em><\/strong> 2013 <\/em>July stills photography exposition at  Comme il Faux, Athens<\/p>\n\n\n\n

2013 June<\/u><\/em> <\/em>group stills photography exposition by the  GSC at Freedom Park, Athens<\/p>\n\n\n\n

Publications<\/u><\/em><\/strong>    <\/em><\/strong> 2017<\/em> \u201cproject 2.39:1\u201d<\/strong>, a study of the anamorphic lens test performed by his partners in the GSC https:\/\/www.academia.edu\/31998819\/project_2.39_to_1_en.pdf<\/a><\/p>\n\n\n\n

2003<\/u><\/em> <\/em>\u201cjust once\u201d<\/strong>, a shooting diary, following the filming of \u201cEfapax\u201d feature film. \u201cProfessional Camera & Microphone\u201d magazine.<\/p>\n\n\n\n

Presentation<\/u><\/em><\/strong>    <\/strong>2013 <\/em>\u201cwanted\u201d<\/strong>, a study of 13 cinematic cameras, following a test organized by A.Theos on behalf of the Greek Society of Cinematographers<\/em><\/p>\n\n\n\n

Early carreer<\/u><\/em><\/strong>    1985-90            Assistant Cameraman<\/p>\n","protected":false},"excerpt":{"rendered":"

With a strong artistic eye and extensive field experience, Argyris Theos has not only developed the ability to create first class imagery but also the ability to efficiently work around the daily issues of cinematography, showing excellent managerial capabilities. Totaling 10 theatrical features, 19 prime time television series, commercials, shorts, live events, 67 stage plays … <\/p>\n

Continue reading “Argyris Theos GSC”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"http:\/\/argie.gr\/index.php?rest_route=\/wp\/v2\/posts\/1"}],"collection":[{"href":"http:\/\/argie.gr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/argie.gr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/argie.gr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/argie.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1"}],"version-history":[{"count":3,"href":"http:\/\/argie.gr\/index.php?rest_route=\/wp\/v2\/posts\/1\/revisions"}],"predecessor-version":[{"id":30,"href":"http:\/\/argie.gr\/index.php?rest_route=\/wp\/v2\/posts\/1\/revisions\/30"}],"wp:attachment":[{"href":"http:\/\/argie.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/argie.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/argie.gr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}